February 22 event invitation

Dear Friends,

As we travel together on the journey which is Classical Underground, there is one central thing that we believe makes it such a unique sensation - a rare intimate connection between different forms of classical expression. As each over-compartmentalized field of ART is going through some major transformation recently, together in a deeply interconnected state, the ARTS are truly the heart and soul of our times that pack some indispensable power. With this in mind, we think our next event will open a new territory in this enchanted land.

The fierce contingent of CU painters – Jeremy Lipking, Tony Pro, Christopher Pugliese (finding refuge with us from the freeze of New York), Joseph Todorovitch (his debut with CU) and myself - will paint live one of our favorite CU musicians, Yana Reznik. The final stretch of this live session will overlap by about an hour with the time of your arrival till the beginning of the program, so you will have a rare glimpse at how painting is being done and how each one of us will catch our sense of Yana.

clockwise: Tony Pro, Jeremy Lipking, Alexey Steele en plein air

If that was not enough, we are finally adding a dimension to CU we long hoped for – in a spirit of comrades- in-arms we are joining cultural forces with our great new friends at Forth Magazine to inaugurate our first poetic showcase! We are honored and pleased to have John Tottenham as part of our program, just wait till you hear his reading!

Of course, the mother lode of musical talent awaits us with Nigel Armstrong, Yuliya Barsky, Eduardo Delgado, Sam McElroy, Mikael Oganesyan, Pepi Pilibossian, Indira Rachmatulla, Yana Reznik, Moni Simeonov performing. Celebrate with us as always the undying, indestructible and unsuppressible spirit of ART!

As always to RSVP please use the Paypal button below - chairs are first-come first-served - and please do not forget about the potluck! The doors open at 7 p.m. to catch the live painting session before the music starts at 8 p.m.

We are sold out.

LA's progressive literary magazine puts Classical Underground in a spotlight

WE HIT THE NEWS AGAIN!
We are in January / February issue of Forth Magazine

LA's progressive literary magazine puts Classical Underground in a spotlight

Didn't we always say that the ARTS should all stand for what they are together? Classical Underground is the place WHERE ARTS MEET. Click here to read and watch Alexey's interview about the concepts behind Classical Underground as well as what ART means for him personally.

Forth Magazine * jan feb 2010

Some experts from the article:

"...even though Classical Underground started as a deceptively casual affair, it is a serious part of Alexey's vision for the future of art..."

"It makes sense that Alexey has chosen giant canvases and huge ideas that refuse containment and control."

"At a CU performance, musicians are made to feel free to try new variations, new arrangements, even new compositions, and each month is a completely different experience..."

"Alexey is thrilled that his underground can offer people more than the joy of a finished product - the thrill of process and experiment...the audience is drawn by nothing other than the hunger for the experience."

"It is underground because we are not supposed to exist," he explains. "Things in our capitalist society have to have a commercial function, and we do not. We have no purpose to exist, and it's liberating."

"Alexey sees CU as a building block, a brick in a new artistic legacy being constructed out of the remnants of Modernism and post-Modernism."

"Since we've collectively deconstructed everything to the point that nothing exists, we can reassemble in any way we want, in any way we NEED really, not as a point of habit, but as a point of NEED. That's Classical Underground."

"...trying to contain a giant in three pages of words is a loosing battle, as futile as trying to do justice to that laugh..."

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Classical Underground expresses its deep appreciation to Sofyia Goldshteyn for such an insightful and elegantly articulated piece.

September 28 Programme

We thank Steinway Piano Gallery of Hollywood for supporting CU mission and for providing their incredible D291 concert fleet piano that sounded within “Grand Atelier” unique acoustics and setting like nothing we’ve ever heard.

Thank you, Gavin! Thank you, Jura!

alexey steele presents
CLASSICAL UNDERGROUND
Chamber Music Series
Music Director Maksim Velichkin

SPONSORED by STEINWAY PIANO GALLERY


M. Bruch. Kol Nidrei
Maksim Velichkin-cello, Yana Reznik-piano

B. Smetana. Piano Trio 1st m-nt
Julia Salerno-violin, Joo Lee-cello, David Kempe-piano

Marcel Grandjany. Pastorale
Vanessa Sheldon. Journey of a Falling Leaf
Gabriel Fauré. Pavane
Gioaccino Rossini. Allegro Brillante from Sonata for Harp
Vanessa Sheldon-harp

Frederic Chopin Mazurka C sharp minor, Op. 30, No. 4 (1810 -1849)
Ballade in G minor, Op. 23
Jura Margulis-piano

Paul Coletti "From My Heart"
Tina Guo-cello, Yana Reznik-piano

Paul Spaeth. Inner Realm
Parts I, II, III
A. Copland "The Cat and the Mouse"
Yana Reznik-piano

N. Paganini. Moses Variations
Tina Guo, Maksim Velichkin-celli

INTERMISSION

Claude Debussy Reflets dans l'eau (1862-1918) L´isle joyeuse
Jura Margulis-piano

M. de Falla. Siete Canciones Populares
Charlene Chi-mezzo-soprano, Jordan Rashkov-piano

N. Paganini. Nel Cor Piu
Roberto Cani-violin

A. Scriabin. Sonata #5
Pavel Petrov-piano

Gernot Wolfgang. Common Ground
1. Blues Upside Down
2. Trading Places
3. Igor, At Last
Armen Ksajikian-cello
Judith Farmer-bassoon

E. Chausson Poeme
Radu Pieptea-violin, Kanae Matsumoto-piano

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CLASSICAL UNDERGROUND SHOWCASE

focusing on a classical art form of serious contemporary representational art

Fr. Electrico Bronze · 36" x 18" x 18"

Sculptor CHRISTOPHER SLATOFF

Jura Margulis Coming to Classical Underground!

CU celebrates the first participation of an old friend, the international concert pianist and recording artist Jura Margulis, who comes to LA to play for us from Fayetteville, where he is the McAllister Professor of Piano at the University of Arkansas.



When Jura Margulis will come up to play on Sept. 28, it will certainly be a rare moment for all music lovers at CU; it will also be a very special moment for me personally. It is not only because Jura is a world class pianist and a close personal friend, it is also because Jura is a second generation of world class pianists close personal friends.
His father, Prof. Vitaly Margulis, one of the world greatest and renowned piano gurus whom I consider one of genuine High Priests of Music and Arts, is one of the friends of youth of my father. He is also one of the essential influences in my love of Classical Music. It started way back in the late 40s, very hard years right after the devastation of Nazi invasion and what is known in Russia as Great Patriotic War. My Dad’s first love Emma, a wonderful pianist with whom they remained life-long friends, once took him, as she put it very simply and understatedly, to “hear a Genius.” My Dad was a bright young star-student at the Leningrad Art Academy /Repin Institute/ and the “Genius” was a star-student of the Leningrad Conservatory rocking the vibrant world of Leningrad music lovers. It was, of course, Vitaly Margulis. They became instant friends until Vitaly immigrated to the West in the 70s to become one of the world’s most admired piano teachers and a musicians’ musician. After not seeing each other for almost 25 years, they improbably reunited in Los Angeles as Vitaly came from Germany to assume his professor position at UCLA.


Childhood memories of our Kiev living-room gatherings and Vitaly’s world of worshipping true ART and the magic of inseparable interaction of music and painting that he brought with him to LA became some of the most important inspirations for our Classical Underground model. Soon after joyous and much celebrated in various forms reunion, which included incidentally our joined experience of 1994 Northridge Earthquake in our Marina Del Rey apartment, I met Jura, who just came to the US to study with legendary Leon Fleisher in Baltimore.

Right after we met and started talking, we’d spend till morning wee hours in a continuous conversations (amongst other things) about ART, its place and future in human society, about our visions, dreams, and hopes. Rarely had I seen anyone with a similar combination and facility of musical and intellectual prowess. Rarely had I met anyone who shared my views on ART and its future more fundamentally and intensely. Some of our grand ideas turned into earliest projects in spreading our message that we created together. For over a decade, before CU, we have been talking about what is High ART and how to guard and preserve it for posterity, how to give it new life and how to present it to the present, how it can and will change the world. What fun it was…and most definitely, many years after, still is.

I shall say no more of Jura, as his numerous recordings, international critical praise and his unique and magnificent music making speak for themselves. Come, meet, and hear him on September 28th.

Alexey Steele

P.S. Jura, a Steinway Artist, is the reason we will have a magnificent Steinway Grand piano for our concert on September 28th. When he visited CU in May this year, he said: we need a better piano. He contacted Steinway in New York, pulled a few strings, and sure enough – with great people like Gavin at Steinway Hollywood we got a full feature sponsoring of our event. We hope this is the beginning of a long friendship ...



About Jura Margulis:

Pianist Jura Margulis has been recognized for his compellingly communicative performances, as well as for the range of his tonal palette and his consummate virtuosity. Reviewers have praised the “absolute authority” of his interpretations and the sense of “controlled obsession” he transmits at the keyboard (Fono Forum). The Frankfurter Allgemeine Zeitung noted that his aesthetic is both “impulsive and contemplative.” The Los Angeles Times praised his “excellent pianism” and called him “highly musical”. The Washington Post applauded his “titanic reserves of sheer power” and his “effortless spontaneity.”

His orchestral appearances include performances with the Russian National Orchestra, the Montreal Symphony Orchestra, and the Südwestrundfunk Orchestra. He has played in numerous festivals, including the Schleswig Holstein Musik Festival, the Berliner Festwochen, the International Sommeracademy Mozarteum in Austria, the Verbier Festival in Switzerland, and the Argerich-Beppu Music Festival in Japan. He has won prizes in more than a dozen international competitions, including Busoni in Italy and Guardian in Ireland. He is also a recipient of the esteemed Pro Europa prize awarded by the European Foundation for Culture. Active as a chamber musician, Margulis has performed recitals with, among others, Dmitry Sitkovetsky, the soloists of the Moscow Virtuosi, members of the Chicago Symphony Orchestra, and the Moscow String Quartet. He also concertizes with Martha Argerich on two pianos in Germany, Japan, and the USA.

Margulis latest CD

Margulis is a third generation pianist and teacher and gives master classes in the USA, Europe, and Asia. Born in St. Petersburg, Russia, Jura Margulis was raised in Germany, where he studied with his father, Dr. Vitaly Margulis, at the Musikhochschule in Freiburg. He was also a student at the prestigious Fondazione per il Pianoforte in Cadenabbia at Lake Como in Italy. He moved to the United States to study with Leon Fleisher at the Peabody Conservatory in Baltimore, and made the US his home. Margulis is the inaugural holder of the "Emily J. McAllister Endowed Professorship in Piano" at the J.W. Fulbright College of the University of Arkansas, Fayetteville.

Jura Margulis’ full bio can be seen at www.juramargulis.com

LA Times Gives Major Endorsement to Classical Underground and Steinway Piano Gallery of Hollywood Sponsoring our September Event

WE HIT THE BIG NEWS AGAIN!
classical underground is endorsed by LA Times

What a hot summer we got! There is so much great news to report! With an amazing LA Times endorsement of the Classical Underground concept, our cause is definitely taken us to the next step of sharing our message that ART in its true and pure form has a major role in the modern society despite of what anyone says or even to all the evidence to a contrary. Serving ART within a modern commercial world – is an ultimate act of defiance. Classical Underground proved to be a platform that can and will amplify all the voices of such defiance. That is what we stand upon and nothing else matters.

It also seems that an unlikely idea of presenting ART free of any commercial reasoning is getting its own ragtag gang of supporters. And what supporters they are!

STEINWAY PIANO GALLERY OF HOLLYWOOD
is our official sponsor for the next event

We are extremely proud and delighted to announce that our new friend in this magical town of ours - Steinway Piano Gallery of Hollywood will be sponsoring our next event!

Not only they will provide their incomparable instrument /Model ...D... Concert... Grand... no less - whole 9' of it! / thanks to our dear friend and Steinway Artist Jura Margulis performing as part of our program, but also they will underwrite the substantial transportation costs, a highly unusual and most generous gesture for which we are deeply grateful.

From our point of view Steinway is not just another business or brand - it is one of the true and rare synonymies of "ART" at its sublime and exalting. We are so ecstatically happy that for the next evening the famous Steinway sound will merge with our very special Classical Underground Sound.

The amazing level of our musicians, our incomparable audience and the very special atmosphere and spirit of CU truly need the instrument that will match them. It is our deep belief that this instrument is the Steinway piano, the one and only, and we are so appreciative that for this night our dream comes true. Thank you, Gavin, Thank you, Jura!

We much look forward to Steinway's great future /as business/ in this town as well as for our continuous friendship and collaborations.

A PIANO BENCH GIFT
from Adina and Liviu

Another great example of pure generosity of heart is a completely unexpected gesture of our “true believers”, loyal CU listeners and great art enthusiasts Liviu and Adina Eftime. You are not going to believe this, but they came the other day taking a two-hour drive and very demurringly asked to help them with the box out of their car. In it there was a brand new, top-of-the-line piano bench, which every pianist that ever had to pull books from my library before performance knows how desperately we needed. Full leather lift for four hands…if this is not a pure kindness of heart, than what is?! Thank you, Liviu, Thank you, Adina!

Adina and Liviu with their gift - the piano bench

What a great reminder that CU is a unique and collective collaborative effort for the common goal. We just all do our part and to every one in our magnificent all-volunteer crew alone with every musician and painter that ever graced all of us with their incomparable gifts we owe such great measure of gratitude. That is what keeps ART alive.

CU RECORDING LABEL

Another great news and the next subversive adventure to come is our very own Classical Underground recording label. The tracks for the first album sound absolutely remarkable, perfectly conveying the intimate presence of our unique setting. That is thanks to the tireless and selfless efforts of our unsung CU hero, our very own Steinway tech guru and genuine sound magician Oleg Schramm.

Oleg Schramm

I would like to take this moment to extend the heart-felt gratitude to musicians and painters who pursue nobly their ARTS despite all, to our great audience that is a future of Classical Music and Arts, and to our remarkable all-volunteer crew of joint collaborators:

Maksim Velichkin – cellist, our great Music Director and a co-founder of music series
Oleg Schramm – a recording artist, who rocks on keyboard with the greatest in the game, top-gun Steinway tech and recording expert, our incomparable and selfless sound magician
Olga Vlasova – the artist in heart, marketing and management guru, whose “capitalist shark” credentials will be essential to CU growth beyond our walls
Julie Resh – our own video wiz, veteran Hollywood exec, and a musician soul, her insightful videos will enable to share the CU experience as wide as broadband gets
Charles and an Unnamed friend whose help with all that needs to be helped with in order to stay the course is so appreciated.

And, of course, our true hero, inspiring friend who set the new standards of what it means to support ART today and how it could be done outside of all existing establishment structures – Rick Rand, nothing would’ve ever happened without him. Thank you Rick for your friendship and for your true heart!

Alexey Steele Receives a Prestigious Artemis Award and Announces the Formation of Artists for Marbles

Alexey Steele receives a prestigious Artemis Award in Athens during the opening week of the New Acropolis Museum and announces the formation of Artists for Marbles campaign: Artists for Return of Parthenon Marbles to Acropolis.

We invite you to visit Artists For Marbles website to learn more about Elgin marbles and the necessity to return them to their home - Acropolis - and join the group to show your support in such a noble cause.

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Monday, May 18

chamber music at the studio series

May Concert this coming Monday

the 18th at 8:00pm

music director

M a k s i m V e l i c h k i n

Dear friends,

Please, join us to celebrate the beginning of summer with Music and Art!

Warmly, Alexey

P.S. Congratulations to our own, Classical Underground fomented trio of Eduardo Delgado, David Chernyavsky and Serge Oskotsky on their fabulous recent performance at Disney Hall

P R O G R A M M E

(detailes to be announced during the concert)

Music of Joaquin Turina, G. Rossini, Jean Francaix, Ralph Vaughan Wiliams, F. Chopin, S. Rachmaninov, F. Poulenc, E. Bloch, I. Stravinsky, R. Strauss, E. Granados, A. Piazzolla.

Performed by:
Iren Arutyunyan (guitar)
Yulia Barsky (piano)
Allison Bjorkedal (harp)
Leo Chelyapov (clarinet)Alexei Gourevich (clarinet)
Tina Guo (cello)
Yin Yin Huang (piano)
Alexey Klyushnik (bass)
Sam McElroy (baritone)
Anastasia Nemirovich-Danchenko (piano)
Mikael Oganesyan (piano)
Tina Chang Qu (violin)Yana Reznik (piano)Harout Senekeremian (piano)
Alex Shlifer (violin)
Marissa Sorajia (violin)
Limor Toren (violin)
Maksim Velichkin (cello)
Ling Yan (cello)
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CLASSICAL UNDERGROUND SHOWCASE

focusing on a classical art form of serious contemporary representational art

Painter Jeremy Lipking

It is a distinct pleasure to showcase a friend and one of my absolutely favorite living artists. If you still don't know Jeremy, you should, if you know of him, there is your chance to see his most recent work.

Jeremy Lipking "Skylar" oil on canvas 36" x 22"Following in footsteps of best masters of French Naturalist School, which I still prefer calling Realist School, Jeremy in many ways embodies the undeniable "figurative shift" in contemporary American art, championed by the dedicated search of an entire generation of young talents today.

His work has a rare quality of presence and authenticity, glancing at pensive, internalized characters caught in a twilight of their world and defined by delicately elegant, subtle value range, somewhat melancholic palette and exceptionally crafted forms, all making seeing his paintings an unabashed act of pleasure.

It is a true thrill to have a master of such rare ability among us, who contributes greatly to the excitement of our bubbling artistic dialog and helps making Los Angeles one of the most vibrant destinations in the most current exploration of Art's true frontiers.