Save the date!
Monday, December 12th, 2016
Look for the email invitation next week or check back on this website.
alexey steele presents
in ART we trust!
in ART we trust!
in ART we trust!
Our good friend Eric Merrell represents a fascinating branch that is rooted in the venerated California Plein Air school, yet he is taking it in his own exciting direction. Following in the footsteps of a great California Plein Air painter and CU friend Daniel W. Pinkham, Eric approaches his canvases as poetry in compositional organization of color masses. Eric is condensing his contemplative subjects -- be they nature's vast expanses or intimate still lifes -- to their core overall forms, while delivering them in moment-specific color harmonies.
The key to this ability is Eric's rigorous plein air observation and the practice of a hardcore field painter with sharpened aesthetics.In his compositional designs and arrangements Eric explores command of mood through skillful color harmonization and application of textures, making a significant step from plein air landscape and into a category of independent visual language.
It's a joy to observe the development of this exciting, dedicated and authentic young talent who proves himself time and again within the direction of his own artistic path.in ART we trust!
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David A. Leffel, Portrait of David Kramer, 1977, oil on canvas, 30 x 25, collection of Cindy Kramer McSweeney
Classical Underground is exceptionally proud to showcase the legend of American representational realism David Leffel with a preview of the groundbreaking retrospective exhibition of his work at the Frederick R. Weisman Museum of Art.David Leffel is one of the lonely few great pillars that preserved the bridge of the representational tradition in the United States in the second half of the 20th century. David is certainly one of the most important influences for the entire powerful generational resurgence of realism in contemporary American art at the beginning of 21st century."Leffel's powerful realism arises from his commitment to understanding and capturing the flow of light. He does not paint things, but light falling and flowing over objects. By treating light as a vital force, he gives his paintings the feeling that they are infused with life" said Michael Zakian, Director of the Weisman Museum.The exhibition is the first major retrospective for the 84-year-old artist, who in the 1960s broke with mainstream abstraction by reviving the art of the Old Masters. Approximately 50 paintings from the past 50 years will be featured - showcasing portraiture, still lifes, and landscapes of this revered artist, author and teacher."I planned the David Leffel retrospective to follow immediately after an exhibition of work by Andy Warhol," said Zakian. "The parallels are fascinating. They were born only a few years apart and both worked as commercial illustrators in New York in the 1950s. The difference is that Warhol went on to reuse images from advertising to create Pop Art. Leffel wanted an art of greater depth and substance and chose to dedicate himself to revive forgotten techniques and learn to paint like the Old Masters."David A. Leffel: The Mastery of Light - A RetrospectiveMay 14 - August 7, 2016Frederick R. Weisman Museum of ArtPepperdine University24255 Pacific Coast HighwayMalibu, Calif. 90263in ART we trust!
Our Founding principle is Clarity of Intent.
We feel THAT what is missing the most in today’s world. In great debate weather ART has a future in a commercialized world of ours, we say ART is the Future.
It has to be ART, though true and pure, to make it through. Gone is the tiring age of fake, pump and pretense. Gone are the murky waters. All else stripped – ART stands in all its naked Relevance.
We believe in ART. Not as just another way of making a living, but as the very Way of Life.
We are the Underground and we stand in a subversive opposition to all and every accepted tacitly way the commercially driven society treats ART. We consider ART being a form of ultimate subversion in a greed-glorifying world and we argue a singular importance of ART outside commercialism and corrupt institutionalism within the society in crisis.
ART shall bring back what bankers had stolen from the society – the common purpose being anything else other than militant, blatant greed.
We are Classical and we stand on the shoulders of combined labor and sacrifice of cultural giants humanity managed to produce despite all its shortfalls and who were able to surpass all constraints of time and fads of the moment. The essence of their timeless creations, which is pure and true ART, stands as final testimony to in-suppressible powers of human spirit bearing extreme relevance to our time.
We stand in firm belief in fresh vitality and visceral strength of Classical, Humanistic in nature, content, philosophy and worldview for our truly modern audiences and viewers.
We are there to support and to amplify the voice of anyone across disciplines who we think is instrumental in this process.
With the Clarity of Intent we will find new ways ART can sustain itself and expand in these troubled times as Artists - some of true Heroes of Society - shall be able to enjoy the fruits of their intense, hard labor and sacrifice which is a pure Labor of Love. To that end we all work and contribute in a collaborative spirit in name of ART and Friendship. We will do everything to share ART and spread the word, as ART is the ever-flaming torch in a society facing Storm.